looking for randy kraft dnb patches? ie Alien girl virus rack preset??

    heard he has done some dnb patches similar to alien girl, just wanted to check them out but can find anywhere


    any-one hav them or links to it?


    also---apparently the virus rack had a preset on it based on alien girl (ed rush and optical)...is there a way to download this on to the ti?


    thanks

    Taken for Randy Kraft on DOA




    OSC1
    shape = square
    pw = 0
    semitone = -12


    OSC2
    shape = sine
    pw = 0
    semitone = +12


    OSC BALANCE = -20
    OSC PHASE INIT = 1
    OSC VOLUME = +12


    SUB OSC
    type = square
    amount = 32


    RINGMOD
    amount = 127


    LFO1
    shape = triangle
    clock = 1/4
    lfo1->osc1 = +8
    lfo1->pw1+2 = +32


    LFO2
    shape = triangle
    contour = +20
    rate = 92
    trigphase = 1
    lfo2->filter1 = -44
    lfo2->filter2 = -16


    FILTERS


    cutoff = 24
    filter balance = -28
    routing = serial4
    saturation = hard
    amp envelope = -44
    attack = 62
    decay = 0
    sustain = 48
    release = 32


    FILTER1
    mode = low pass
    resonance = 44
    env amount = 88


    FILTER2
    mode = high pass
    resonance = 36
    env amount = 72
    keyfollow = -12


    AMP
    attack = 36
    decay = 64
    sustain = 127
    release = 20


    ETC


    distortion type = medium
    distortion intensity = 100
    minimal phase
    minimal chorus
    minimal delay
    eq as needed


    SOFT KNOB ASSIGNMENTS
    modwheel->cutoff = +10
    contr9->lfo2->cut1 = +22
    contr9->lfo2->cut2 = +6
    contr3->filter attack = +14
    contr3->lfo2rate = -10
    contr3->filter1keyfollow = -10
    contr3->filter2keyfollow = -20
    contr3->filter2resonance = -28


    Notes:
    1. How does it get that bawwwahh sound (almost like it's two notes)?


    You are relying on two key things. Notice lfo2's modulation of the filters. This setting makes the filter rise in the shape of a triangle. But, it's not a perfect triangle (hence the lfo2 contour). Be sure to make each note trigger a new lfo cycle (trigphase). The filter attack is important as well.


    2. Why the soft knob assignments? Here's what they do:


    modwheel - turning this up will increase the cutoff. Parts of the original track do this during certain points.


    contr9 - using this controller will zero out the lfos modulation of the cutoff. I did this so that you could get rid of the bawwwahh sound if you want to.


    contr3 - Turning this controller all the way will give you the slowed down type sound you hear in the last two notes.


    Please realize that these modulation matrix controllers somewhat arbitrary, and you can assign whatever you want to control these. For example, you could change contr3 to foot pedal if you wanted.