Can someone tell me how these sounds are created?

    The first sound is a sample known as an orchestral hit.
    The two other sounds are based on hypersaw oscillators.
    The second sound uses a lowpass filter that has its cutoff frequency controlled by an envelope to snap-open and snap close. Also I think it employs an LFO for pitch modulation to create some vibrato.
    The third sound uses a similar envelope modulation, but rather on the pitch than the filter cutoff.
    Both sounds finally go through distortion - the third one even more drastically than the second one.

    Zitat von flabberbob

    The first sound is a sample known as an orchestral hit.
    The two other sounds are based on hypersaw oscillators.
    The second sound uses a lowpass filter that has its cutoff frequency controlled by an envelope to snap-open and snap close. Also I think it employs an LFO for pitch modulation to create some vibrato.
    The third sound uses a similar envelope modulation, but rather on the pitch than the filter cutoff.
    Both sounds finally go through distortion - the third one even more drastically than the second one.


    Thanks allot, just what I needed to know! :D
    Could you by any chance also tell me how you think they created the lead synth? The resonance saw synth after the first break.

    The main feature of the lead, the ability to go from pluck to solid, is gained by applying the filter envelope to one or both filters (in SER4 or 6 routing - depends on how dark you want the pluck to be). The envelope given with the init patch is a good starting point - adjust the decay rate to taste and set the envelope amount at about 75%. Now, when the cutoff freq. is at 0 you'll get a pluck sound, and when its at 127 you'll get a solid sound. Giving the AMP envelope a longer tail might be a good idea. Now you can try it with different oscillators and effects.
    Good luck.