Updated the Excel sheet with GESchwalm 's findings.
See attachment above.
Thanks Oli! And thank you to all who responded to my essay!
Cheers!
GESchwalm
Updated the Excel sheet with GESchwalm 's findings.
See attachment above.
Thanks Oli! And thank you to all who responded to my essay!
Cheers!
GESchwalm
Here is a summary from my list of Spectral Wave descriptions that in my opinion are the most sonically interesting or useful for creating some nice LFO>Filter Cutoff Modulation evolving pads (wavetable sweep simulations).
5, 6, 7, 13, 15, 19, 20, 23, 27, 36, 43, 44, 48, 50, 52, 54, 56, 59, 60, 64
with the wavetable sweep simulation waves being:
13, 19 (wavetable sim only), 44, 48, 50 (wavetable sim only), 64
Add some dual Unison and other stereo effects like chorus , reverb, delay, etc., and you can construct some really lush pads!
Cheers!,
GESchwalm
Presented by
Rapturenaut Digital Christian Studio
Houston, Texas
"glorifying God through electronic music"
Coming behind all of these “pioneers” and thanking each and every one of you. My Virus TI2 arrived last month. I have a lot of learning to do!
On a patch that I had built which sounds like the intro to Ricochet by TD, I had chosen two Triangles in éClassic". I saw the tables and suddenly, I "revisited my copy" In changing them with the "Octavius Grain Complex" in the bass I gain in sharpness (unlike the 1st which deteriorates badly, and "jerky". Ah this TI, it offers quite a few variants to achieve what we want. Both sound very good, but the Wave Table one is warmer
Thank you to all of you.