Ah this TI, sometimes we manage to give it some grainy atmospheres… very analog tape, no? And you, do you have some exemples?
http://ti2.synthesizer.free.fr…UDIO-TI-(SONS)/Mon-FX.mp3
http://ti2.synthesizer.free.fr…O-TI-(SONS)/Mon-FX-02.mp3
TI: Like a sample tune
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"In Soundesygn, often, in fact, we do not hear the reality of the sound that we would like to reproduce.
And the same goes for those we select during attempts to create this first...
And eventually, the two come together. "in our head and in the end we find the right patches to clone it"
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These are fantastic.
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Good morning
THANKS. Of all the existing patches, I try to explore grains that have not necessarily been processed
It's thanks to the matrix (SLOTS) which allows for some great evolutionary connections. Especially the KEYFOLLOW, it allows you to put the "dead" tones back in place
I dedicate a lot of hours, but not continuously... little by little the ideas materialize... and sometimes, I start from scratch because sometimes I miss out, just come back to it later, finding others assemblies to get there Then, in a mix, the sound comes across much better (in solo, you can hear imperfections).
The most useful thing to find was (see attachment .zip):
because everything depends on careful timing with the interaction of two crossed FX of which at first I was unaware of the existence of this "audio chemistry" LOL -
Keyfollow is a favorite source for me. Well done stuff here.
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Yes same. Worse, I use an external keyboard, which I lower (or raise) to -/+ 48. This allows me to "stick" areas that do not pass by default onto the short range of the Keyfollow
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I love it when my Virus, when it is requested (for a long time) by searching for settings for soundsesygn... and I have not saved the current patch... It can at any risk "invent" an impromptu change (or even add a new value to it) as a result, an alchemy is created that is impossible to do otherwise
It's very, very, very rare... but when it comes, new perspectives open up