With any great pluck sounds, it largely about using envelopes. In this case I'd say there is...
AMP ENV
A - 15
D - 60
S - 0
R - 10
I hear a light chorus, too.
With any great pluck sounds, it largely about using envelopes. In this case I'd say there is...
AMP ENV
A - 15
D - 60
S - 0
R - 10
I hear a light chorus, too.
Fringe, do high end cables seem to really make a difference for digital connections to you?
i.e. S/PDIF and MIDI.
Awesome. I'm happy to help.
Right on!
sixtonio, are you using your TI as your audio interface? The reason I ask is because I had some HUGE issues in FL Studio before I started using a dedicated audio interface and then everything was great.
There are 4 main factors that make a great cable great.
1. Its shielding type. (Braided is the best.)
2. Its connector. (Gold is the best.)
3. Its composition. (Oxygen free copper is prime.)
4. Number of strands. (Over 40 is optimal.)
Mogami TRS and Livewire Elite TRS cables are what I use and they sound clear. They are the most transparent cables I have used. They are one of the best. The Mogami and the Livewire Elite (Hosa) are the same cable with one exception. The Mogami has 50 strands of 99.9% oxygen free copper, while the Livewire Elite has 127 strands. For a comparison, high end Monster cables at best only have 30 strands, but they are still awesome.
I hope this helps you more.
Couldn't you just use the LFO 3 in ENV mode?
Just buy TRS, any brand TRS. If you use a guitar cable you might get a little hum.
Yeah, I have my controller setup like this:
Instead of setting it up that way, in Ableton Live click on the Virus TI channel. Make sure that Virus Control is opened. At the bottom of the screen you should see all of the CC values for Virus Control. Now, click the MIDI Map button at the top right of the screen. Then click on the Filter Cutoff 1 slider at the bottom of the screen and just move a knob on your Oxygen. Do this again for all Filter Cutoff parts.
Presto: You now control all parts AND can actually map the envelopes in Virus Control's Automation Lanes. Now before you do anymore edits, go to Live's Preferences and save as your default template.
I have my APC40 set up like this. Since I usually don't tweak sends and pans I have the Pans set for part 1-8 Channel Volume and Send A set for part 1-8 Channel Cutoff.
Awesome. I've have found that Live Loves Virus'!
I hear you, but the learning curve for FL Studio to Live was one of the most painless transitions I' have ever made. The latency is very nice for me when I play 'live'. I can actually create live loops and stack all kinds of layers with Live. Download the demo and see if you love it too.
Me too. But it's not a big problem for me.
If you are looking for an awesome board for a great price, check out the Akai MPK series. I've played them and the action is really nice. Very similar to the TI Keyboard action, but a little stiffer. The knobs on the MPK series are very nice as well. To configure it you will need to hook it up to a computer, but after that you can use a power supply and use it via MIDI hardware.
One kinda cool work around in FL Studio is to create a Layer part and then assign it to the MIDI Outs in FL Studio. You can create some really cool morphing sounds. But yeah, THIS IS THE REASON I DUMPED FL STUDIO AND WENT WITH ABLETON LIVE. Same issue but the interface makes it WAY less painful for me.
Good Producing.
Wow! Thanks a lot!
That would be coolness. I'll toy around with some of the new distortions and see if i can get anything close to that.
You have to play the part in each Piano Roll of the "MIDI Outs" in FL Studio.
woodster77, do you mean FM?
It in VC. Sometimes after I save a patch the VC GUI in browser mode dose not refresh. The fix is to just change banks and then come back to the original bank.