Beiträge von boreg

IIRC, the value in square brackets is the original value, as saved in the patch.

In Multi edit mode, you can assign any part to any output:
[Blockierte Grafik: http://i.imgur.com/7ng2Tyk.png]

Nice track Daksha!

Thanks Daksha

Very nice!
Is the bass from the Virus? And the FX? Exactly the kind of sounds I'm struggling to get out of my Virus

<p>Switch to Multi mode. Press Shift+Edit to enter Multi Edit mode. On part 1 select a piano patch, and using the &lt; &gt;&nbsp;cursor buttons navigate to screen where you set keyboard range for the part. Leave the low note as it is and set the high note to the end of piano keyboard range. Now select part 2, set it to MIDI channel 1, select organ patch and set the desired keyboard range.&nbsp;</p>

Don't hold your breath. Modulation on the Virus is actually quite slow (for instance, I've read somewhere the LFO goes up to about 18 Hz). Adding audio-rate modulation (osc->filter) would require a redesign of the whole engine, and I really doubt it's going to happen.

I'm pretty sure sending MIDI CC #7 (the standard MIDI controller for volume) should work.

"When I start a MIDI clip" - start where? A DAW, an external sequencer?
It seems that whatever is sending MIDI also sends a Program Change message.
Also make sure your MIDI clip doesn't contain a Program Change as part of its data.

This certainly looks like too much burden on Virus' CPU. You have to understand that the patch complexity indicator is not an exact figure. Besides, it is not affected by unison and effects, but they most definitely eat up the CPU power. Bottom line is, you cannot simply count the total number of "bricks" and expect a meaningful result.

Unlike regular multis that simply reference existing patches (in RAM or ROM banks), multis 1-16 actually contain the individual patch settings within them. As far as I know, the only solution is to first save all patches you're using to RAM, and then recreate your multi as a regular one referencing those patches. I'm not aware of a way to edit multis on a computer.

It's called "Channel Pressure" in the mod matrix.

Multis 1-16 are special and cannot be stored to other locations, could this be the reason?

Breath - MIDI CC #2
Channel Pressure - correct, it's aftertouch
Controller 3,9,12,13,14,15,16 - MIDI CC (continuous controller) numbers
Data Entry - MIDI CC #6
Balance - don't know that one
Velocity on - speed with which a key is struck
Velocity off - speed with which a key is released
Anakey - random modulation sources designed to simulate analog oscillator drift
1% and 10% constant - useful if you want to add a constant offset to some parameter

Hope this helps.

Clear all your cookies for virus.info and www .virus.info - this did the trick for me.

No, the S/PDIF outputs mirror the main outs.

For live, I always use the Virus in Multi mode, one multi per song. This way I can do splits/layers or simply place different sounds on separate MIDI channels (if they don't need to play at the same time during the song). Switching MIDI channels is nearly instantaneous on my MIDI keyboard (one button click, basically).
Even if a song requires just one sound, I dedicate a multi to it.

I also programmed a few buttons to send MIDI program change for instant switching of multis - you don't want to be scrolling from #35 to #77 between songs

Please note that I'm not using a laptop, just MIDI keyboard + Virus TI desktop.
Hope this helps.

Zitat von bozz

as far as i know u can not control fliter by note

Of course you can, it's called "key follow" on the Virus (or "key tracking" on other synths).
 [Blockierte Grafik: http://www.ljplus.ru/img4/b/o/boreg/keyfollow.jpg]

I'd do it without oscillators at all, just noise into a LP or BP filter with high resonance. Filter cutoff determines the pitch; by making cutoff follow the MIDI note (filter keytracking = 36 if I'm not mistaken), you can play it across the keyboard as a pitched noise.

Another option is to experiment with oscillator FM in "noise" mode.

They're visually different - the side cheeks on TI2 are slightly rounded, also the control groups on the front panel and their labels ("Matrix", "Modulators", "Oscillators", "Filters" etc) have a smoother shape.
This is TI:
[Blockierte Grafik: http://c1.zzounds.com/media/quality,85/virus_ti_polar_topshot_CMYK-c0db163250051de0f47a9fc72f5fd7ba.jpg]
This is TI2:
[Blockierte Grafik: http://medias.audiofanzine.com/images/normal/access-music-virus-ti-polar-118024.jpg]