This is what happens if you set the pitch of the modulator (osc1) too high. It's not so much an error, as a limitation of FM.
Beiträge von BC
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The Snow sounds identical to the TI - due largely to the fact that it basically is a TI.
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a Copy Parameters Section can be usefull
it means with this function you will be able to copy one of the parameters sections in (OSC,FILTER,LFO,MATRIX,FX,...) from a patch to other patchesThank you AccesS Team
We have this already in the form of Section Locking
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The closest you can get is using FM - there is a 'Noise' FM Mode available so long as oscillator 2 is set to Classic.
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Why not? An Amp/Filter envelope is really just a value . You can assign Filter envelope to LFO2 Rate (not in clock sync mode) and modulates the rate just fine. Why can't you assign the value of the filter envelope to the distortion mix?
Maybe I'm totally wrong here, but it seems like it should work theoretically.
Appreciated
David
The problem with modulating patch efx with polyphonic sources is that it causes artefacts like clicking, because each successive voice supersedes the previous state. Think about how this works when you play a chord or a fast arpeggio, especially with a long release tail - only one envelope can modulate the distortion at any given time, so the result is often not good. It can, however, work quite nicely on monophonic patches...
[whispers]....have you tried using the LFO's instead?[/whispers]
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Have you tried resetting it? I've just tested my TI 1 here with OS3.3, and polyphony seems fine.
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You need to have the target oscillator set to Classic mode and Shape set somewhere between Spectral Wave and Saw for this to have any effect. It doesn't work if the oscillator is in Wavetable mode - this is by intention, and is not a bug.
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It's "MWQuant BC"
ROM-B 67 in the TI2. Similar location in ROM-A in the TI
To get the effect you hear in the demo, you have to move the modwheel - this sweeps the wavetables, but quantised to 1/16th notes by the Smooth parameter.
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It does make it to both extremes - check it out with a square LFO, and you should hear that this is the case. If you want to make the modulation even steeper though, which can help to emphasise the time spent at the extremes, you could always assign LFO>Phaser Frequency twice...
